The magnificent Borobudur temple is the world’s biggest Buddhist monument, an ancient site widely considered to be one of the world’s seven wonders. Built in the 9th century during the reign of the Syailendra dynasty, the temple’s design in Gupta architecture reflects India's influence on the region, yet there are enough indigenous scenes and elements incorporated to make Borobudur uniquely Indonesian. This awe inspiring monument is truly a marvel. After a visit here you will understand why it is Indonesia’s most visited tourist attraction and a famous icon of Indonesia’s cultural heritage.
Located on the island of Java, the temple sits majestically on a hilltop overlooking lush green fields and distant hills. It covers an enormous area, measuring 123 x 123 meters. The monument is a marvel of design, decorated with 2,672 relief panels and 504 Buddha statues. The architecture and stonework of this temple has no equal. And it was built without using any kind of cement or mortar! The structure is like a set of massive interlocking Lego blocks held together without any glue.
The temple has remained strong even through ten centuries of neglect. It was rediscovered in 1815, buried under volcanic ash. In the 1970’s the Indonesian Government and UNESCO worked together to restore Borobudur to its former majesty The restoration took eight years to complete and today Borobudur is one of Indonesia and the world’s most valuable treasures.
The temple is decorated with stone carvings in bas-relief representing images from the life of Buddha. Commentators claim that this is the largest and most complete ensemble of Buddhist reliefs in the world, unsurpassed in artistic merit.
This monument is both a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The ten levels of the temple symbolize the three divisions of the religion’s cosmic system. As visitors begin their journey at the base of the temple, they make their way to the top of the monument through the three levels of Budhist cosmology, KÄmadhÄtu (the world of desire), Rupadhatu (the world of forms) and Arupadhatu (the world of formlessness). As visitors walk to the top the monument guides the pilgrims past 1,460 narrative relief panels on the wall and the balustrades.
The whole monument itself resembles a giant stupa, but seen from above it forms a mandala. The great stupa at the top of the temple sits 40 meters above the ground. This main dome is surrounded by 72 Buddha statues seated inside perforated stupa.
Historians suggest that the name of Borobudur comes from the Sanskrit ‘Vihara Buddha Uhr’ or the ‘Buddhist monastery on the hill’.
Located on the island of Java, the temple sits majestically on a hilltop overlooking lush green fields and distant hills. It covers an enormous area, measuring 123 x 123 meters. The monument is a marvel of design, decorated with 2,672 relief panels and 504 Buddha statues. The architecture and stonework of this temple has no equal. And it was built without using any kind of cement or mortar! The structure is like a set of massive interlocking Lego blocks held together without any glue.
The temple has remained strong even through ten centuries of neglect. It was rediscovered in 1815, buried under volcanic ash. In the 1970’s the Indonesian Government and UNESCO worked together to restore Borobudur to its former majesty The restoration took eight years to complete and today Borobudur is one of Indonesia and the world’s most valuable treasures.
The temple is decorated with stone carvings in bas-relief representing images from the life of Buddha. Commentators claim that this is the largest and most complete ensemble of Buddhist reliefs in the world, unsurpassed in artistic merit.
This monument is both a shrine to the Lord Buddha and a place for Buddhist pilgrimage. The ten levels of the temple symbolize the three divisions of the religion’s cosmic system. As visitors begin their journey at the base of the temple, they make their way to the top of the monument through the three levels of Budhist cosmology, KÄmadhÄtu (the world of desire), Rupadhatu (the world of forms) and Arupadhatu (the world of formlessness). As visitors walk to the top the monument guides the pilgrims past 1,460 narrative relief panels on the wall and the balustrades.
The whole monument itself resembles a giant stupa, but seen from above it forms a mandala. The great stupa at the top of the temple sits 40 meters above the ground. This main dome is surrounded by 72 Buddha statues seated inside perforated stupa.
Historians suggest that the name of Borobudur comes from the Sanskrit ‘Vihara Buddha Uhr’ or the ‘Buddhist monastery on the hill’.
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The majority of the population embraces Islam, while in Bali the Hindu religion is predominant. Whereas in areas like the Minahasa in North Sulawesi, the Toraja highlands in South Sulawesi, in the East Nusatenggara islands and in large parts of Papua, in the Batak highlands as well as on Nias island in North Sumatra, the majority are either Catholics or Protestants. On the whole the Indonesian people are religious in nature.
Although today’s youth especially in the large cities is modern and follow international trends, yet when it comes to weddings, couples still adhere to traditions on the side of both the bride’s and bridegroom’s parents. So in a mixed ethnic wedding, the vows and wedding traditions may follow the bride’s family’s, while during the reception elaborate decorations and costumes follow the groom’s ethnic traditions, or vice versa. Weddings and wedding receptions in Indonesia are a great introduction to Indonesia’s many and diverse customs and traditions. Weddings are often also occasions to display one’s social status, wealth and fashion sense. Even in villages, hundreds or even thousands of wedding invitees line up to congratulate the couple and their parents who are seated on stage, and then enjoy the wedding feast and entertainment.
On 2 October 2009, UNESCO recognized Indonesia’s “Batik” as World Intangible Cultural Heritage, adding to the earlier recognized Indonesia’s “Keris” (the wavy blade dagger), and the “Wayang” shadow puppets. Further being considered as World Heritage is the “Angklung” bamboo musical instrument from West Java, being uniquely “Indonesian”.
Then there are the exciting simulated tribal wars in the Wamena valley of Papua, the bull races on the island of Madura held as thanksgiving after the harvest, as well as the “nyale” festival in Lombok, to collect the sea worms that appear here each February only, and many more events on all islands. And to top it off is the event of complete silence called “nyepi” in Bali, the day of meditation for the entire island, when all lights, fires, sounds, including planes and cars are barred for 24 hours! The Balinese have mooted that “nyepi” becomes an international tradition that will greatly reduce pollution and global warming.
Chinese influence can be seen along the entire north coast of Java from the batik patterns of Cirebon and Pekalongan, to the finely carved furniture and doors of Kudus in Central Java, as also in the intricate gold embroidered wedding costumes of West Sumatra.
Make sure that your visit does not coincide with holiday festivities such as Muslim holiday Eid (or Lebaran, like Indonesians are fond to say), because the traffic tends to be heavy especially in Java island. Unless you are interested in seeing the festivals up close and experiencing them, of course. 

Indonesia’s flora and fauna is divided by the “Wallace Line” that runs between Bali and Lombok, continuing north between Kalimantan and Sulawesi. West of the Line, vegetation and wildlife are Asian in nature, whereas east of the Line, these resemble those of Australia.
Indonesia’s wildlife varies from the Java mouse deer (or kancil) and the one-horned rhino to the Sumatran and Kalimantan Orang Utan, the Sulwesi anoa (a small water buffalo), the prehistoric giant Komodo lizard to the exotic Bird of Paradise in Papua.